NeverEnding Abstractions brings together two distinct approaches to abstraction — one grounded in the quiet logic of color and transparency, the other in gesture, rhythm, and graphic interruption.

Natalia Awenius presents a cycle of 12 large-scale paintings and 30 paper-based works developed through a field-painting approach. Her compositions unfold through layers of open and semi-open color planes: translucent gestures overlapping in search of chromatic tension. These are not constructions, but events — moments when color combinations happen rather than being decided. The result is a subtle spatial experience where transparency, hue, and surface drift in and out of resolution.

Vladimir Kordiukov, in dialogue, offers 30 sheets of abstract drawing — each one a unit of motion, collapse, and structural rhythm. Using graphite, pigment, and scorched overlays, his works inhabit the space of repetition without repetition. Lines bend, fragment, repeat, but never return. His abstract language resists finish: each form dissolves into the next, holding the energy of something that will not settle.

Together, these two practices propose a visual system without finality — abstraction not as reduction, but as continuity. The exhibition is a study in infinite composition, in works that remain open by design.

Exhibition Dates:
2 December 2022 (Friday) – 19 March 2023 (Sunday)

Press kit and full list of works available upon request.